Moving on to the Monitor tab you’ll find a lot of stuff that comes down to personal preference. Faster turnarounds might want to apply the LUT, but generally speaking you won’t use this. More Record settings include a timelapse function, detail sharpening being set to off, and an option to bake a LUT into the file. This is a safer indication when you have issues with your recording. Bertoli uses an external drive – which many recommend for the Pocket 6K – and actually turns on the stop recording if card drops frame option. You’ll also choose the media on this page, either CFast, external drive, or fullest card. The off-speed matters since you can get there via shortcut by tapping the fps in the top left corner of the screen. He goes with 23.98p for frame rate with an off-speed frame rate of 48 fps. Film is Blackmagic’s take on log recording. The next Record page offers more detailed options, such as Dynamic Range. Going back to 6K, it helps save some space by going to 2.4:1 if you can get away with the crop. For slow motion, you will need to drop down to 2.8K 17:9. Either full 6K or the 6K 2.4:1 is fine depending on your personal preference. There is a big jump to go from 12:1 to 8:1, so it’s worth it for client work.Īs for resolution, Bertoli picks the top 6K options. For client work he does go up to 8:1 or even 5:1 to squeeze out a tad more quality. Most of his personal work he actually sticks with 12:1 compression and been very happy. Bertoli sticks with Blackmagic RAW and chooses to stick with constant bitrate for more reliable file sizes and predictable performance. Kicking things off with the Record tab, you’ll find some of the most important settings. Anyone looking to learn how to get their Blackmagic camera configured can learn from how others pick settings.

This includes things like ISO, codecs, resolution, and more, but Bertoli also talks about his setup. Blackmagic Design is among the companies who has tons of features in their tiny Pocket Cinema Camera 6K and you might be looking for some recommended settings.įilmmaker Matteo Bertoli has just shared his favorite settings for the BMPCC 6K. Raw formats, compression, and autofocus are among the tough choices in newer video cameras and it can be difficult to sort through and find what’s best. While cinema cameras have shrunk in size dramatically over the past five or so years, their menu options have only grown.

Black magic pocket cinema camera 6k pro